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2019北京国际设计周-751国际设计节 论坛 目录​

9.11 751国际设计节主题论坛——"工业遗产：城市的往昔与未来”

9.11 751国际设计节设计论坛——为生活提案

9.12 751国际设计节设计论坛——改变阅读的设计

9.13 751国际设计节设计论坛——负责任的城市

9.14 751国际设计节设计论坛——your case, my case

9.15 751国际设计节设计论坛——墨西哥主宾城市论坛 

今天，商城的货架上堆满玲琅满目的商品，地铁出口共享单车排满长长的队伍。过剩的产能和迅猛发展的风口经济，使得地球有限的资源被过度的开发、迅速的消耗，那些过多的退休产品和废弃在街角垃圾桶里的报纸、杂志该何去何从？这是我们现代人必须面对得一个严峻问题，而设计在这一课题中又能承担怎样的角色？本次“为生活提案”系列活动通过论坛、展览的形式对这一课题以设计师的角度解读并尝试去解决，以期更多的设计师和媒体关注这个话题。

Today, the shelves in the mall are full of dazzling goods, and shared bikes stand in long queue at the exit of the subway station.Excessive production capacity and rapid development of the most potentially-invested economy have caused the earth's limited resources to be overexploited and rapidly consumed.Where do those waste products, newspapers and magazines should go?This is a serious problem that we have to deal with, and what role can design play in this topic?This “ Designing Better Life” activity will be presented in the form of forums and exhibitions from the perspective of designers, and it tries to interpret and handle the issue.We hope more designers and media will pay attention to this topic.

时间：9.11 14:00-17:30

地点：751D‧PARK A18 时尚回廊 艺文空间 一层

边奕文/Yiwen Bian

来自山东淄博，中央美术学院设计学院2019届毕业生，曾获得毕业创作院长提名奖和年度中央美术学院在校生优秀作品奖。

在校期间参与设计工作室Ticwatch X表盘项目并中选。

Yiwen Bian, from Zibo, Shandong Province, graduated from the Design Institute of the Central Academy of Fine Arts in 2019. She has won the nomination award of the Dean of Graduation Creation and the annual outstanding works award of the students of the Central Academy of Fine Arts. Participated in the design studio Ticwatch X dial project and selected.

蚕吐丝作茧为一种包裹束缚的存在，代指蛰居族半年及以上自我封闭、社交孤立的状态，长期呆在一处不愿意抛头露面，消极避世独处于自我封闭的房间内，沉迷于虚拟网络生活的病理社会现象。

随着当今社会的高速发展，已影响在现在青年人身上的独生子女政策使得父母对孩子的期望和攀比心理的加重，来自社会和生活环境所带来的各方面的压力是青年人所面临的最根本的心理压力之一，很多青年人需要寻找相应的环境和个人应对方式去缓解或逃避社会压力，使生活变得有一些预测性和可控性，进而抒发自己的情绪，“无气力症”和“延缓成为社会人”的蛰居前奏现象逐渐由隐性转化为显性。

在日本，据称蛰居族人数超过100万，而同样处在压力社会的国内呢？我在全国范围内调研了1157人，涉及年龄15—65岁，涵盖不同地区，最后得出的结论为蛰居倾向人数7人，占0.6%，且年龄都为20~29岁的青年人，由此可以看出国内相当的青年人逃避社会封闭自我现象的严重。

所以我的作品展示主要是以7位蛰居者生活视频和以生活垃圾构成的封闭空间为主，其中封闭空间的生活垃圾由拼叠的砖块构成，上下的镜面给观者以强烈的延伸感，观者进入空间体验蛰居人群所处的封闭空间如同被垃圾压抑吸走掉进深渊，在这些砖里，其中7块砖指代了我调查的这七位蛰居族的生活状态，掺杂在其中淹没在众多蛰居族里。

Silkworm spinning as cocoon is a kind of wrapping restraint. It refers to the self-closure and social isolation of the Hikikomori for more than half a year. It is a pathological social phenomenon that they are unwilling to show up for a long time and are passively avoiding the world in a self-closing room and indulging in virtual network life.

With the rapid development of today's society, the one-child policy which has affected the young people has made parents'expectation and comparison of their children more serious. The pressure from all aspects of society and living environment is one of the most fundamental psychological pressure faced by young people. Many young people need to find the corresponding one. Environment and personal coping style to alleviate or evade social pressure, make life become predictable and controllable, and then express their emotions, "powerlessness" and "delaying becoming a social person" the prelude to the entrapment gradually changed from recessive to dominant.

In Japan, it is said that there are more than 1 million people living in the same pressure society. I surveyed 1157 people nationwide, ranging in age from 15 to 65, covering different regions. Finally, I came to the conclusion that there are 7 people who are inclined to live, accounting for 0.6%, and all of them are young people aged 20 to 29. From this, we can see that quite a number of young people in China escape the serious phenomenon of social isolation.

So my work is mainly displayed in seven living video and the closed space made up of garbage. The garbage in the closed space is made up of stacked bricks. The upper and lower mirrors give the viewer a strong sense of extension. The viewer enters the space to experience the closed space where the people live as if they were depressed and sucked by garbage. Walking into the abyss, among these bricks, seven of them refer to the living conditions of the seven Hikikomori I investigated, and they are mixed in and submerged in many Hikikomori.

翁昕煜/Weng Xinyu

翁昕煜，来自浙江台州，毕业于中国传媒大学德语语言文学专业，和德国魏玛包豪斯大学产品设计专业。毕业后于德国柏林建立YUUE设计工作室，在欧洲和中国从事产品设计服务和诸多设计、创意相关项目。

WENG Xinyu is from Taizhou of Zhejiang. He has graduated from German Studies at China Communication University and Product Design at Bauhaus University Weimar in Germany. Weng founded YUUE design studio in Berlin in 2015 and has since been providing design services and been working on multiple innovation-related projects across Europe and China.

独立设计工作室YUUE创始人兼设计师翁昕煜，通过讲述其设计故事，如共享单车再利用，分享其作为独立设计师，对设计行业和中国当代生活方式的观察和感悟。

WENG Xinyu, designer and founder of independent design studio YUUE, tells stories of his design projects including Upcycling Shared Bicycles, to share his observations and thoughts on design industry and contemporory life in China.

楚希吉/Sigita Truksane

3WK升级改造有限公司，所有者、设计师。创建并发展Zigi品牌——用灵感创造真正意义上的可持续的报纸和杂志设计项目，表达生活态度、地位和个性。设计并生产由真正的报纸和杂志制成的手袋，耐用、可持续、环保。在欧洲和美国纽约推广环保、可持续、独特、艺术和定制的时尚产品。

3wk upcycled Ltd., Owner, Designer. Creation and development of brand Zigi - Personality, attitude, bags. Sustainable real newspaper and magazine design items created from meaningful memories that express attitude, position of life and personality. Design and production of handbags made from real newspapers and magazines that are durable, sustainable and environment friendly. Promoting fashion that is environmentally friendly, sustainable, unique, artistic and customized in Europe and NYC, USA. 

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Sigita Truksane是真正的可持续的、耐用的报纸手袋的创作者。可持续发展、循环利用、升级再造、支持艺术、零浪费的生活方式是她的首要任务。时尚业是世界第二大污染源，对环境造成了灾难性影响，而且随着行业的发展，环境影响也在不断加重。这种对环境的巨大负面影响促使Sigita创造了由真正的报纸和杂志制作的升级版手袋，以吸引社会的关注，并试图改变人们的思维方式和习惯。报纸和杂志是媒体工具。产品用户携带媒体工具，成为形象大使、影响力人物，传播可持续时尚、环保生活方式、循环再利用、升级改造和零浪费的生活理念。这些手袋是由19世纪至今印刷的报纸和杂志制成的。本项目使用来自不同领域的杂志和报纸，如时尚、艺术、商业、日报、体育、汽车等。手袋除了融入升级再造理念外，还具有历史、文化和艺术价值。手袋上印有图案——由来自Sigita所在国拉脱维亚的各类新生代艺术家创作的绘画作品。Sigita开始从事商业和教育项目：从纺织品、废旧衣物和从中国纺织和服装工厂收集的废物制成的回收和再生时尚产品。

Sigita Truksane is sustainable and durable real newspapers handbags idea author. Sustainability, recycling, upcycling, support to art, zero waste lifestyle are her priorities. Fashion industry's disastrous impact on the environment that is the second largest polluter in the world and the fact that environmental damage is continuing to increase as the industry grows. This dramatic negative impact to the environment inspired Sigita to create upcycled handbags made from real newspapers and magazines to attract attention of the society and try to change their mindset and habits. Newspapers and magazines are media tool. Product user is wearing media tool and becomes an ambassador, influencer and spreads the idea about sustainable fashion, environment friendly lifestyle, recycling&upcycling and zero waste lifestyle. Handbags are made from newspapers and magazines printed starting from 19s century till nowadays. In the project are used magazines and newspapers from different areas as fashion, art, business, daily news, sports, cars and others. Besides upcycling idea, handbags have historical, cultural and art value. The handbags have prints -  drawings that are created by various new artists from Latvia, the country from which Sigita comes. Sigita started to work on business and educational project: upcycled and recycled fashion products made from textile, clothing leftovers and waste collected from China textile and clothing factories.